The Accompanist
I
went out for a walk on a beautiful, sunny December day, onto "The
Bluffs", which are in my back yard on Galiano Island. On the way up the hill, through the old growth, to
the crest of The Bluffs, to where the panorama of the Gulf Islands, westward to
Vancouver Island is suddenly revealed, with the music of Pachelbel’s
“Magnificat” swirling through my imagination, conducted by me, at my own
walking pace, by happy co-incidence, I met Will Guthrie, the Accompanist to our
Coro Galiano, which choir had so recently sung in concert, Pachelbel's same
"Magnificat". How great it is to walk freely on the face of the earth
with the wind in my hair, the sun on my face and the gorgeous Baroque harmonies
playing for my imagination. I can greet my neighbor and accompanist with an
open smile, and share the freedom of the music.
I
have walked this path to The Bluffs before. One walk was to heal my bruised spirit after
having been brusquely and emphatically silenced by a woman, whose pristine
leftist correctness had compelled her to invalidate my contrary opinions on
restrictive and cloistered dress codes for women in the twenty first century,
in particular, Islamic Fundamentalist, Wahabist fetishization of the entire
female body by way of complete covering, including "niqab".
What
does this have to do with a baroque composer and a classical accompanist, a
piano man? It has everything to do with it, for on that day of taking a walk to
soothe the spirit, after the previous leftist feminist had pronounced my point
of view invalid due to the accident of my birth (as a so-called
"white", "western", "christian" woman), I had
asked myself, how is it that "A Hitler” can come to power? How is it? It
is, I concluded, because we let him. My own ineffectiveness and hesitance, my
fear of being marginalized for having a contrary opinion, was what kept me
inarticulate in the face of this anti-social political correctness, taking the
form of "cultural relativism".
As
I passed Mr. Guthrie on the path, I smiled and said "Hello". We both
agreed, Pachelbel's "Magnificat" is a tune that sticks in the
imagination. Here I was, a Canadian woman, out for a walk, by myself, in the
middle of the day, uncovered but for shoes, socks, underwear, dark, warm
leggings, a large sweater and a zipper jacket with a hoodie which I chose to
wear off my head, as the mildness of the day made it too hot to wear covering
over my hair. I thought “How fortunate, I can greet my neighbour, a man who is
not a relative, while I am out walking, on my own recognizance, chaperoneless,
and nothing bad happens!” All of my
living male relatives would be younger than I, anyway, for at this point in the
unfolding of our generations, I am the matriarch, so how else could I take a
walk on my own recognizance? The last
time I checked in, my motives for a walk were not prurient.
When
my very correct leftist friend had so thoroughly scolded me for not holding to
the dogma of “free choice” to buy into the fetish of "covering", she
had made it clear that the reason my point of view was completely invalid was
because I am a western, "white" woman, (never mind my patrilineage in
Georgian peasantry, that is ,Georgia by the Caspian Sea). I recall once hearing a political speaker
denounce the “visible minority” label, characterizing it as ultimately racist,
asking which scale of visible “colour” these ideologues (of “visible minorities”)
were using for their comparison.
Two
other experiences with "western" classical music and leftist
correctness come to mind. Once I read an essay written by a Canadian woman
writer (whose patrilineage happened to be Ukrainian). This writer has a way of
making tedious and inelegant, obtuse references to the "fact" of her
supposed working-class gaze, a tedium that can be downright embarrassing, if
not enough to make one run screaming from the proverbial building. This
supposed working class bias is hedged in a disingenuousness, the writing peppered
with allusions to Marxism and the supposedly innocent and clear gaze of the
working class. Probably only in the DRNK could workers be so downright innocent
and uncorrupted in the naiveté of their clean and socialistly pure observations
of the rotting, old, clunking-to-its’-dying-destiny, culture of "the
rich". In this leftist bias that sees all things Western as justifiably
doomed, not only the niqab fetish covering is championed as a symbol of the
emancipation of women, yea, verily, Western music, especially classical forms,
are relegated to history's dustbin. So where Islamic fundamentalists would ban
all music but chanted prayers to Allah, the properly correct leftist writer
dismissed Mozart, Boccerini, Vivaldi et al as discordant and wooden sounding to
her properly tin working class ear. In a world where niqab fetish is a mark of
opposition to western/capialist/usimperialist oppression and corruption, the silencing
of choirs and orchestras for their bourgeois influence cannot be far behind.
Second
time for me a properly correct leftist revealed the probable demise of beauty
under fundamentalist rigor was in 1979.
I had joined some politically active friends in celebrating the ouster
of the Shah Palevi from Iran. The activists presented a film made by Iranian
activists depicting the history of the struggles of the people of Iran for political progress, presumably, democracy. After
the film, a "comrade" commented that he liked the film, but he could
do without the "Beethoven" sound track. Beethoven? I wondered? Oh,
that soundtrack over the documenting of the ongoing struggle the Iranians with
the forces of reaction, THAT Beethoven! THAT was G F. Handel's "Sarabande
in D. Minor"!
I
can buy into the “choice” of a pious woman to cover her face. I wonder, however, how that can become law
for all women and girls, regardless of their religious persuasion, which
apparently it is in some locales? Under
cover of multicultural inclusiveness, can we look forward to the eventual
exclusion of all things "beethovenish" along with the getting rid of
prurient dalliances of greetings between unrelated members of the two opposing sexes
along forest pathways in broad daylight?
1 comment:
I am not one eighth as articulate in these matters as you, my friend, so let me just say, I am smiling in agreement.
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